The meeting “The good will come from the sea” took place on November 14, 2014, on the Tsamakia beach, in Mytilene, by the Caravan Project, in collaboration with “Nomadic Architecture”

Mytilene, November. On the island, the feeling of being between East and West prevails. On the streets of the town, in the architecture and music, senses and rhythms dominate everywhere. The place is the combination of two cultures, often reminding the charm of the East.
Here is the starting point of Europe and its maritime borders. When an immigrant gets here, he is now in Europe. Frontex has established an authorized team. Although the border of the sea is not a fence, such as the one in Evros, it is dangerous and often impenetrable, while the conditions under which the journey is conducted, surrender the travelers to the vastness of the sea.
The action-meeting “The good will come from the sea” invited immigrants and locals to get together for a few hours, like a wish: through this we expressed the desire to reverse the current situation in the Aegean Sea and in other Mediterranean seas, in islands such as Mytilene and Lampedusa. The Aegean is stained with blood, as it is one of the major entrances to the Europe-fortress. In this state of exception, the bodies in the Aegean Sea lose their importance, human lives do not count, they are “naked lives”.
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Location: Art Area, Art Scape at Moschonision Street

During the exhibition “Topographies, escape points”, presented from Sept 18 to Oct 5 at Artscape art space, at Moschonision Street where the Network Nomadic Architecture held its action -meeting “travelling- inhabiting Amerikis Square “. In this approach, the city is seen through the polymorphic relationships of the people who inhabit it. We are interested in the historical, emotional and social dimension of the space and the multiple ways in which our body exists, moves, is exposed, dwells in it.

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A live occupation of a building, in an emergency situation.

Fights for the right to housing and to the city of Athens. Participatory planning, construction of playground and plantings.

Location: between the buildings of the refugee housing complex.

The refugee housing complex was built in 1933-1935 to house refugees of 1922. They are eight apartment buildings (228 apartments), arranged successively and parallel to the axis of Alexandras Avenue. They are an architectural example of organized building blocks, because the architects Kimon Laskaris and Dimitris Kyriakos (officials of the Technical Department of the Ministry of Welfare) designed them according to modern trends, without any decoration trace. They tried to meet people’s needs in an emergency, offering them in minimum space the best circumstances of light, ventilation, outdoor and public spaces. It was from the beginning a live neighborhood. The collective memory of the city of Athens is expressed in the same buildings, as they stand there as a heterotopia, as a different space-time among government buildings, apartment buildings built with antiparochi system (the owner of a plot was compensated with apartments in lieu of payment for the land that he relinquished to the contactor who built an apartment block on it) and the stadium. The memories of December ’44 are carved on them with the marks of bullets, as many fighters of ELAS found shelter there, and the buildings were hit by the bullets of the British from Lycabettus hill.

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Location: Former Stock Market, 8-10 Sofokleous St, Athens, Greece, Sunday October 13 2013, 8pm

The actions of Nomadic Architecture take place in public space and in urban voids. They connect the body with the earth of the city through actions of walking, silence, reciting of poems, songs and movement. They connect the participants with those who inhabit the city with a «bare life», as increasingly excluded by meta-capitalism.

This action entitled «small seeds» is a part of the series «They forced us out of here», an action which took place June 1 2013, which started from the free self-organized EMBROS Theater and ended up in Omonia, taking the route through Menandrou Street. The action centered around the difficult – sometimes impossible – journey of displaced people to get to the city; the center of Athens, gentrification, the chasing of immigrants and vulnerable groups, and their displacement forcing them into concentration camps, such as Amigdaleza.

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Location: foyer of Embros theater, 9 Katsikogianni  Str,

The once old printing house- Embros theater is a reference point for the neighborhood of Psirri and the center of city. The neighborhood of Psirri, old neighborhood of Athens, after 1950 had many crafts, workshops and craftsmen who began to leave with the presidential decree about the removal of certain land uses that produced pollution and nuisance for the center of Athens in 1998. The neighborhood quickly changed, many crafts and many workshops, which we can not say that were a particular cause of pollution, and many residents left, and the area quickly was filled with short-term life night clubs through a peculiar gentrification (“refining” the neighborhood) with no care for this precious something that already existed. Many of the workshops left because they could not pay the rent that was extremely high, especially in 2004 and the Olympic Games that aimed to give a different image to Athens and remove anything stable.

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